At an Opera Wilmington mixer November 12, graphic designer (and UNCW music alumna) Tori Thomas unveiled her design for Opera Wilmington’s 2026 summer production. The ties that bind Puccini’s Suor Angelica and Mascagni’s Cavalleria rusticana are underscored by the mirror image design. Both works have religious overtones, both drew from the composers’ Tuscan roots, and both showcased the verismo (realism) movement in opera. Puccini and Mascagni were friends.
The pairing, according to Opera Wilmington Artistic Director Nancy King, “offers a compelling narrative arc, putting women’s voices at the center of both works.”
And what more logical combination? Inspired by the success of Mascagni’s Cavelleria Rusticana, Puccini wrote three one-acts that he conceived of as a set, calling them Il Trittico (The Triptich). In addition to Suor Angelica, the three are Il Tabaro and Gianni Schicci.
Suor Angelica, however, is often staged on its own. The opera, set in a convent, tells of the personal heartbreak and uplifting religious redemption of a young sister, Suor Angelica.
Mascagni’s opera is a tale of love, jealousy and revenge, set in Sicily. The opera’s Intermezzo is often performed as an orchestral piece.
“The operas’ emotional storytelling, powerful music, and themes of family, redemption, betrayal, and grace resonate across all audiences,” King says.